史上4作目の録音作品。前作から約6年経ち、今作でブレーキの操作を覚えた。加速と自然な減速、エンジンブレーキに加えて、意図的なブレーキ。抑えるところの操作。そして新しい録音環境の試作。「コロナ禍」という緊張感のなか、複数回セッションして仕上がりを煮詰めていく作業。ポストプロダクションと新規トラック録りの同時進行。短期集中で勢いよく進めていった作業はほとんど無く、ゆっくりと形にした。小品をいくつか含んだ作品。

The fourth recorded work in history. About 6 years have passed since the previous work, and we learned how to operate the brakes with this work. Intentional braking in addition to acceleration and natural deceleration, engine braking. Operation to hold down. And a prototype of a new recording environment. Work to boil down the finish by having multiple sessions in the tension of "COVID-19 calamity". Simultaneous progress of post production and new track recording. There was almost no work that was carried out vigorously in a short period of time, and it took shape slowly. A work that includes some short peaces.

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前作までの録音環境を変え、米子laughsのホール録音とDTMによって制作した作品。前作までと比べて、曲を構成するトラック数が少し増える。変奏曲をつくる事がテーマのひとつとしてあり、メンバー全員により形になった。レコーディングが終わったタイミングで、弦楽器のピッチが不穏な空気を醸し出す。そして、楽器のチューニングについて勉強し、楽器を買いかえる。解決する。

A work produced by Yonago laughs hall recording and DTM, changing the recording environment up to the previous work. Compared to the previous work, the number of tracks that make up the song increases a little. One of the themes was to create a variation, which was shaped by all the members. At the end of the recording, the pitch of the stringed instrument creates a disturbing atmosphere. Then, study about tuning an instrument and buy a new one. Solve.

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バンドの転換期を経て少し音楽が変わった直後の録音作品。20代前半のメンバー達によってその時に出たものがパラデータになり、2ミックスになった。３曲が持っている全部似ている「感じ」は、アイデアを持ち寄る作業の第一段階の耳触り。全く教養のない頭で読むバルトークの音楽論集がこの作品誕生のちょっとしたきっかけになっている気がする。当時¥500で売っていたCD-Rは廃盤とし、現在はダウンロードのみです。

A recorded work immediately after the music changed a little after the band's turning point. What came out at that time by the members in their early twenties became paradata, and it became two mixes. The "feeling" that all three songs have is the first stage of the work of bringing in ideas. I feel that Bartok's collection of music, which I read with a completely uncultivated mind, was a little trigger for the birth of this work. The CD-R, which was sold for ¥ 500 at that time, has been discontinued and is now only available for download.

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骨董品のハードディスクMTRを使い松江canovaのホールにて一発録りした初の録音作品。ライブハウスの固そうな壁に向けて音源を置き、マイクを立て、弾く。せーの！で数テイク録り、おそらくMTR内蔵のルーティングを通り着地した曲たち。レコーディングして作品を作りたいと思いついた日が1日分。レコーディングと音の処理で1日分。パッケージ作りで1日分。それで完成。CD-R版はその当時、自宅のPCドライブとプリンターを使って量産しました。¥300の値段で販売しておりましたが、現在はダウンロードのみです。

The first recorded work recorded in the hall of Matsue canova using an antique hard disk MTR. Place the sound source against the hard wall of the live house, set the microphone, and play. Here we go! The songs that were recorded in several takes and probably landed through the MTR's built-in routing. One day I came up with the idea of recording and making a work. One day's worth of sound processing and recording. One day's worth of package making. That's it. At that time, the CD-R version was mass-produced using a home PC drive and printer. It was sold at a price of ¥ 300, but currently it is only available for download.

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